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 The heritage of experience and tradition is a dissemination  of knowledge. This is a common form of cultural practice. But little respect  has been paid to the undocumented knowledge, and there has been little  motivation to preserve and disseminate it, not to mention turning the local  wisdom to an economic momentum. It is even repressed by the narrow sense of  knowledge economy and driven to disappear by the massive urban re-development.  One example is the traditional handicraft industries – such as rattan furniture  production, wooden cart making, and sewing work – that are almost doomed to  extinct. In Search of Marginalized Wisdom attempts to discover and record the local knowledge  and the skill tradition in Sham Shui Po. Community Museum  Project invited designers and design students to research and document the  eight units of craftspersons from Sham Shui Po. The research areas focus on the  production process, survival strategies and community relations. The results  were then visualized to become the display panels in the exhibition. What we  attempt to study is the characteristics of their business operation, and how  they cope with the limited space and resources. We believe that through the  systematic documentation and explicit visualization of such knowledge, we can  perhaps reaffirm these values. They may even become an inspiration for emerging  designers and creative industries. Yau Kee’s  wooden carts are produced with recycled materials and informed by customers’  feedback, making them a contemporary designer. Sun Chung Florist uses a  modular design system to cope with the limited space. The production of both Tat  Shing Rattan Furniture and Ho Chung Kee Metalwork are shaped by  their narrow workshops at back alley. It is fascinating to see how these  craftspersons utilizes the public space: Wah Tat Accessories not only  runs their open-air stall, but also hosts classes in the same site. The  business space thus becomes a communal meeting place. The exhibition also  features self-taught inventor and young designers. Hung Kee Food Stall is filled with home-made tools, invented or customized according to the needs  of the operation. We also match the fashion designers from Daydram Nation with the ADPL Social Service Centre Sewing Co-op. The collaboration  results in a patch work-based collection for the London Fashion Week. Tat  Lee Trading Hong, the fabric goods maker, prepared stuffed toys based on  their past orders for the exhibition, demonstrating Hong   Kong people have taste other than the obsession with Mickey Mouse  or Hello Kitty. Hope we all have a bigger wisdom to appreciate,  treasure and develop the indigenous creativities. |